Folk 3166 Items

Sigarasi Yaldizi / Mastika

Release: 2023 / EU – Original

Genre: Rock & Indie

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Kosaya Gora a new indie project from acclaimed electronic producer/singer Kedr Livanskiy and experimental producer/visual artist Flaty, have announced their first full-length album Kosogor today. Kosaya Gora is an entirely new sonic direction for them both. The debut is a multilingual foray into guitar-based folk, haunting dream pop, and moody synth, underpinned by Livanskiy"s signature hypnotic vocals.

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Oldu O Zaman

7" | 2023 | EU | Original (Bongo Joe)

14,99 €*

They Call Me Contry Blue Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cansu Ak, Tolga Horasanli and Mehmet Koray Erol came together in 2019 to produce their own music with creating the band "oldu o zaman". Since they gathered as a band, 2 songs written, composed and arranged by them have been released by Avrupa Müzik. After that, the band decided to make their mutual dream which is covering and arranging Turkish traditional well-known folk songs with psychedelic and electronic elements to create a unique sound with their own touch. There was a psychedelic music trend in 70"s used in traditional Anatolian folk songs. Oldu o Zaman rearranged famous tavern song "Sigarasi Yaldizli" and a well known Turkish gipsy song "Mastika" by using this trend in electronic form.

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Sanford Clark

LP | 1968 | US | Reissue (Numero Group)

29,99 €*

Age Of Miracles Record Store Day 2022 Pink Marbled Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Propelled by his 1956 Lee Hazlewood-produced hit "The Fool," Sanford Clark was already a rockabilly legend in his own right by the time he swapped his hair gel and switchblade for a pair of cowboy boots on They Call Me Country. Recorded between 1965-67 and originally released as a series of singles for Phoenix's Ramco label, the 12 tracks on this LP borrow Bakersfield's outlaw sound and ignore Nashville's countrypolitan flair, standing as a true lost masterpiece of country music's third generation. Clark's booming baritone tells tales of bar fights, heartaches, and drinking til you can't stand, while Waylon Jennings provides a backdrop of fuzzed out guitar twang. Mastered from the original session tapes and back on vinyl for the first time since the Nixon administration.

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Chuck Prophet

LP | 2004 | US | Reissue (New West)

Pape Nziengui Et Son Groupe

Release: 2004 / US – Reissue

Genre: Rock & Indie

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Limited to 2700 copies.

Age of Miracles is now on vinyl for the first time outside of a limited German release in 2004. On this postmodern roots plunge, Chuck Prophet dove deeper into pastiche song structures, adding lighter strings, heavier guitar licks, and more restless romanticism. His beats, however, remained as thick as they were organic, his voice occluded in a raspy filter. Prophet continues to make records that sound like none other on the loosely defined alt-country scene--lush, elliptical, inventive, moody, and deeply, even eloquently, grooved. This limited edition release will be pressed on pink marbled vinyl. This release is being manufactured at MPO in France. Mastered for vinyl by Jason NeSmith - Chase Park. This release is limited to 4,000 copies worldwide.

Side A 1.) Automatic Blues 2.) Age of Miracles 3.) You Did (Bomp Shobby Dooby Bomp) 4.) Smallest Man In The World 5.) Just To See You Smile 6.) West Memphis Moon

Side B 1.) You've Got Me Where You Want Me 2.) Pin A Rose On Me 3.) Heavy Duty 4.) Monkey In The Middle 5.) Solid Gold

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Kadi Yombo

2LP | 2022 | US | Original (Awesome Tapes From Africa)

LP | 2008 | EU | Reissue (XL Recordings)

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie

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Kadi Yombo, published in 1989, is the most successful album in the quest for a fusion between tradition and modernity in Bwiti harp music of the Tsogho people of Gabon. Combining beating rattles with a layer of synthesizers, Papé Nziengui blends in a contrapuntal dialogue characteristic of harp playing: male song in appeal and female choir in response, male voice of the musical arc and rhythms of female worship. But above all it's Tsogho ritual music and modern studio orchestration. The result is an initiatory itinerary of 10 musical pieces which are all milestones likely to be simultaneously listened to, danced, meditated on, and soon acclaimed. In the years since, Nziengui has traveled he world from Lagos to Paris, from Tokyo to Cordoba, from Brussels to Mexico City to become a true icon, the emblem of Gabonese music. Like Bob Dylan, "electrifying" folk and Bob Marley mixing rock with reggae, some purists have criticized Nziengui for having distorted the music of harp by imposing a cross with modern instruments. They even went so far as to claim that Nziengui was just an average harpist covering his shortcomings with stunts that were only good for impressing neophytes; like playing a harp placed upside down behind his back or playing two or three harps simultaneously. Sincere convictions or venomous defamations, in any case, Nziengui never gave in to such attacks, imposing himself on the contrary to pay homage to the elders (Yves Mouenga, Jean Honoré Miabé, Vickoss Ekondo) while instructing the maximum of young people. He is thus the promoter of many young talents, the most prominent of which is certainly his nephew Jean Pierre Mingongué. In a conservative society where the sacred is confused with secrecy, exposing the mysteries of Bwiti in broad daylight can be punished by exclusion or even execution. Papé Nziengui has always claimed that he faces such risks because he never felt enslaved to a community that governs his life, that regulates his conduct, that has a right of censorship over his activities. Like Ravi Shankar, the famous sitarist, Papé Nziengui is a man of rupture but also of openness, a transmitter of culture. As proof, he has established himself in Libreville, Gabo's capital, as the main harpist for sessions and concerts, accompanying the greatest national artists (Akendengué, Rompavè, Annie-Flore Batchiellilys, Les Champs sur la Lowé, etc.) as well as foreign artists (Papa Wemba, Manu Dibango, Kassav', Toups Bebey, etc.). In 1988, he was the first harpist to release an album in the form of a cassette produced by the French Cultural Center (Papé Nziengui, Chants et Musiques Tsogho). At the same time, he created his own group (Bovenga), combining traditional music instruments (musical bow, drums, various percussion instruments, etc.) in the framework of a true national orchestra, which gave the first concert and the first tours of a traditional music that was both modern and dynamic, thus "democratizing" the harp, to the dismay of certain purists. On the other hand, in modern music, dominated by the logic of profit or even commercialism, artistic creation must often be adjusted for a specific audience based on reason rather than heart. But instead of allowing himself to be distorted, Papé Nziengui has always tried to produce music that is not a caricature, worthy in its expression as in its content, of the sacredness and transcendence of the music of the Origins. This is what makes Nziengui-not only the musician, but the man-someone whose age hasn't altered any of his freshness or authenticity.

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Adele

Release: 2008 / EU – Reissue

Genre: Rock & Indie, Pop

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LP | 2022 | US | Original (Sahel Sounds)

Etran De L'Air

Agadez

LP | 1974 | Reissue (Wewantsounds)

Release: 2022 / US – Original

Genre: Rock & Indie

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Etran de L'Aïr (or "stars of the Aïr region") welcomes you to Agadez, the capital city of Saharan rock. Playing for over 25 years, Etran has emerged as stars of the local wedding circuit. Beloved for their dynamic repertoire of hypnotic solos and sun schlazed melodies, Etran stakes out a place for Agadez guitar music. Playing a sound that invokes the desert metropolis, Agadez celebrates the sounds of all the dynamism of a hometown wedding. Etran is a family band composed of brothers and cousins, all born and raised in the small neighborhood of Abalane, just in the shadow of the grand mosque. Sons of nomadic families that settled here in the 1970s fleeing the droughts, they all grew up in Agadez. The band was formed in 1995 when current band leader Moussa "Abindi" Ibra was only 9 years old. "We only had one acoustic guitar," he explains, "and for percussion, we hit a calabash with a sandal." Over the decades, the band painstakingly pieced together gear to form their band and built an audience by playing everywhere, for everyone. "It was difficult. We would walk to gigs by foot, lugging all our equipment, carrying a small PA and guitars on our backs, 25 kilometers into the bush, to play for free_ there's nowhere in Agadez we haven't played." Whereas other Tuareg guitarists look to Western rock, Etran de L'Aïr play in a pan-African style that is emblematic of their hometown, citing a myriad of cultural influences, from Northern Malian blues, Hausa bar bands, to Congolese Soukous. It's perhaps this quality that makes them so beloved in Agadez. "We play for the Tuareg, the Toubou, the Zarma, the Hausa," Abindi explains. "When you invite us, we come and play." Their music is rooted in celebration, and invokes the exuberance of an Agadez wedding, with an overwhelming abundance of guitars, as simultaneous solos playfully pass over one another with a restrained precision, forceful yet never overindulgent.

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Omar Khorshid

Giant + Guitar

LP | 2021 | US | Original (Sub Pop)

Release: 1974 / Reissue

Genre: Rock & Indie

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Cult Classic LP BY Legendary Egyptian Guitarist Omar Khorshid, First Released ON THE Label 'voice OF Lebanon' IN 1974 AND Reissued Here ON Vinyl FOR THE First Time With Original Artwork AND Remastered Audio Plus NEW Liner Notes BY DJ Ernesto Chahoud.

Wewantsounds is delighted to announce the reissue of Omar Khorshid's highly sought after instrumental album 'Giant + Guitar' originally released in 1974 in Lebanon and recorded at Polysound Studio by famed Lebanese engineer Nabil Moumtaz. The album features Khorshid's unique electric guitar sound mixed with arabic melodies over superb psych arrangements. The album has been newly remastered and comes with the original 'Voice of Lebanon' artwork and a 2 page insert featuring liner notes by DJ Ernesto Chahoud. Wewantsounds' series of Arabic music reissues are curated by Mario Choueiry from Institut du Monde Arabe in Paris. Omar Khorshid's life, if short (he died age 36 in a road accident), was extraordinary. Blessed with a great talent for music, the Egyptian musician and actor became one of the best guitarists of the Arab World accompanying the greatest stars of the 60s and 70s, including Oum Kalthoum, Abdel Halim Hafez and Farid El Atrache. To avoid the political troubles of the time in Egypt, and to fulfil his artistic ambitions, Khorshid moved to Beirut in Lebanon in 1973 and started recording a string of superb albums experimenting with Oriental music. ?He recorded for several labels including Voice of Lebanon, one of the key Lebanese labels of the time. He released his first album 'Giant + Guitar' for the label in 1974 and it was an instantly popular in the Arab world. The album, which has a great ample sound, was recorded at the Polysound studios overseen by engineer Nabil Moumtaz. The front cover sees Khorshid on his motorcycle in the busy street of Hamra, one of the most vibrant Beirut neighbourhoods where he was playing most nights in residence. (The album was also released internationally as 'Rhythms from the Orient' with a different artwork focusing on belly dance) The sound of the album is both bold and accessible displaying Khorshid's unique guitar sound, accompanied by a small band mixing traditional and modern fuzzed up arrangements. The mesmerizing opening track, 'Rakset El Fadaa', composed by Lebanese musician Nour Al Mallah, is a perfect example of Khorshid's artistry. Starting with a long, hypnotic guitar intro, it then speeds up with the backing of a groovy organ, Oriental percussion and the psych sound of an early synthesizer to great effect. The album continues on the same mode blending traditional Oriental music with inventive arrangements as showcased by the Mohamed Abdel Wahab standard 'Leilet Hob' popularised by Oum Kalthoum, which sees Khorshid and his musicians shifting pace several times over eight minutes. One of the peaks of the album in terms of sonic experiments is undoubtedly Korshid's own composition, 'Taqassim Sanat Alfein', with Khorshid's superb guitar in full bloom accompanied by a few touches of synth. A truly innovative album which pushed the boundaries of Oriental music at the time, 'Giant + Guitar' has gained in stature over the years and has become highly sought after by many DJs and collectors. A hugely important album which Wewantsounds is happy to reintroduce to the international audience for the first time since the 70s

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Bria

Cuntry Covers Vol. 1

LP | 1976 | EU | Reissue (Wewantsounds)

Release: 2021 / US – Original

Genre: Rock & Indie

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Initial Lp Pressing On Opaque Breeze Blue Vinyl. New Project By Longtime Members Of Indie-Country Superstar Orville Peck's Band, And Polaris Prize-Listed Band Frigs.Fresh, Reverent Yet Subversive Renditions Of Classic Songs By Dave Van Ronk (By Way Of Karen Dalton's Arrangement), Waylon Jennings, John Cale, Lucinda Williams, The Walker Brothers, And Mistress Mary. "Bria Is An Intimate And Incisive Labour Of Love From Multi-Instrumentalists Bria Salmena And Duncan Hay Jennings. Catapulted By A Deep Sense Of Dread And Confusion In The Depths Of 2020, Salmena Decided To Forgo Writing Her Own Music. "I Wanted To Listen For What Might Reflect My Life Back To Me," She Says, "Six Tracks That Could Be My Mirror." The Result Is A Pointillistic Knockout Of An Ep That Weaves A Landscape Both Luscious And A Little Rogue; Showing Us Exactly What Good Songs Can Do.Bria's Internal Turbulence Seemed To Mirror Last Year's External Instability. When Jennings And Back-Up Singer Jaime Mccuaig Moved To The Outside Inn, A Hobby Farm In Hockley Hills, Ontario, Bria Soon Joined. The Farm's Living-Room-Turned-Studio Proved An Ideal Setting F...

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Warda

Khalik Hena

LP | 2021 | EU | Original (Not Now)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Cult Classic BY Often-sampled Arabic Diva Warda Recorded IN 1973 With Full Egyptian Orchestra ON THE Label Soutelphan. Reissued ON Vinyl FOR THE First Time, With Remastered Audio, Original Artwork AND TWO Page Insert With NEW Introduction

Wewantsounds is delighted to reissue 'Khalik Hena' recorded 1973 by legendary Arabic Diva Warda who has been sampled by Jay Z and J Dilla. The album recorded in public mixes traditional Arabic music with a tinge of 70s grooves. Here Warda delivers a hypnotic performance backed by her full-size orchestra featuring those unparalleled Arabic strings that made recordings by Oum Khalthoum, Farid El Atrache and Abdel Halim Hafez so famous. 'Khalik Hena' is one of her all-time classics, written by legendary composer Baligh Hamdi and the audio has been newly remastered. This release features the LP original artwork with a 2 page insert featuring a new introduction by Mario Choueiry from Institut du Monde Arabe who curates Wewantsounds' Arabic series of reissues.

Warda is one of the undisputed divas of the Arab world. Born in the Paris suburb from an Algerian Father and a Lebanese mother, she was discovered at 11 by Ahmed Hachlaf, Pathe Marconi's heads of A&R specialising in Arabic music. having honed her singing skills at her father's cabaret in the Latin Quarter, the Tam-Tam (for Tunisia - Algeria - Morocco) she quickly found recognition in the Arabic music circles.

The family relocated to Beirut in the late 50s after the police found arms in her father's cabaret destined to the political group fighting for Algeria's independence and was swiftly discovered there by an Egyptian film producer who brought her to Cairo to record and play in his films. From there, her career took a meteoric rise and she became a star working with Egyptian such stars as Abdel Halim Hafez and composer Mohammed Abdel Wahab.

However, in the early 60s a traditional marriage in Algeria stopped her career for a decade to be a housewife until Algerian President Boumediene asked her to perform for the 10th anniversary of the Nation's independence in 1972. This was an epiphany and after a divorce she was back to Egypt for a triumphant comeback.

'Khalik Hena' recorded in public in 1973 dates back to these glory days. Teaming up with her new husband, legendary composer Baligh Hamdi, she recorded a string of classic albums - hypnotic tour-de-forces stretching over two sides in an almost trance-like mode, enhancing Warda's powerful vocal and ability to mesmerise audiences. Blending traditional and modern instrumentations (electric guitar, organ), the music is both complex and groovy, 'Khalik Hena' is one of her best LPs, sought after by Arabic diggers and collectors alike. An undisputed classic of Arabic Music, which Wewantsounds is glad to reissue on vinyl for the first time since the 70s.

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Ink Spots

Best Of

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Husky Pants)

Ryley Walker

Course In Fable

Release: 2021 / EU – Original

Genre: Rock & Indie

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I May Never See You Again

Saba Alizadeh

LP | 2021 | EU | Original (30m)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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LP | 2021 | EU | Original (30m Records)

This Is Tehran

Release: 2021 / EU – Original

Genre: Rock & Indie

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7" | 2021 | EU | Original (Martin Hossbach)

Michaela Meise

Cemalim

10,99 €*

LP | 2019 | US | Original (Yep Roc)

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Under the impression of the racially motivated murders on 19 February 2020 in Hanau, her hometown, the visual artist and musician Michaela Meise recorded the piece "Cemalim" by the Turk Erkin Koray in German translation. The production of the song was supported by the Städtische Galerie Nordhorn and the NS-Dokumentationszentrum München, both of which have included the work in their exhibition programmes this year. Erkin Koray is a representative of the psychedelic Anadolu-Rock and published "Cemalim" as an arrangement in 1973. The original composer, Rafik Başaran, came from the Cappadocian town of Ürgüp, which is also mentioned in the song. "Cemalim" means, translated into German, "My darling Cemal", and is a lament for the dead. Meise wrote the German text based on the translation by Fatih Alasalvaroglu, who also comes from Hanau.Besides the mourning of nine young people, solidarity with the relatives and friends of the murder victims is urgently needed. They have organised themselves in the "Initiative 19 February Hanau" - on their website you can find information about what support they would like to receive. Most of the concert programme of the last two years included anti-fascist songs and was a reaction to the increasing right-wing populism. Folk songs, hits and chansons of the 1960s, published in July 2018 on the album "Ich bin Griechin" (Martin Hossbach), dealt with the experience of the Second World War, told of the longing to leave home or the experiences of a seasonal worker. The songs were composed by the anti-fascist Mikis Theodorakis, the musician Barbara, who survived the Shoah with her family in the underground, and George Moustaki and Alexandra, who crossed both national borders.

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Anne Michaela

Desert Dove

Release: 2019 / US – Original

Genre: Rock & Indie

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La Grande Cantatrice Malienne Volume 1

Nahawa Doumbia

LP | 2019 | US | Original (Awesome Tapes From Africa)

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Wagram)

Chanson Francaise

16,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Matador)

Julien Baker

Turn Out The Lights

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Wagram)

Spirit Of French Songs

16,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Matt Sweeney & Bonnie Prince Billy

Superwolf

LP | 2005 | UK | Reissue (Domino)

LP | 2016 | EU | Original (Glitterbeat)

Release: 2005 / UK – Reissue

Genre: Rock & Indie

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A new beast from Will Oldham and his longterm collaborator and pal, Matt Sweeney. Matt wrote the music and Bonnie the words. This one's something else!

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Gaye Su Akyol

Hologram Imparatorlugu

Release: 2016 / EU – Original

Genre: Rock & Indie

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Türk Pop Müzik Tarihi Lp1

LP | 2024 | WW | Original (Yapi Kredi Kültür Sanat Yayincilik)

Release: 2024 / WW – Original

Genre: Rock & Indie

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Cisco E La Casa Del Vento

900 Orange Vinyl Edition

LP | 2024 | EU | Original (The Saifam Group)

45,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Iniziali Bi Bi Red Vinyl Edition

Bandabardo

2LP | 1998 | EU | Reissue (The Saifam Group)

51,99 €*

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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Mayday Green Vinyl Edition

Myriam Gendron

LP | 2024 | US | Original (Thrill Jockey)

Release: 2024 / US – Original

Genre: Rock & Indie

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Mayday is the third LP by Montreal-based artist, Myriam Gendron. It follows her earlier, critically acclaimed albums, Not So Deep As A Well (2014) and Ma délire - Songs of love, lost & found (2021). Myriam began exploring the complex folk traditions of Quebec (and beyond), with Ma délire, which combines traditional and original songs with arrangements that make space for avant-garde musical interludes by such folks as guitarist Bill Nace (Body/Head) and renowned jazz percussionist Chris Corsano.Mayday presents an even more syncretic fusion of the elements Myriam uses to create her sound. Most of the songs are original, sung in both English and French, and they blend traditional and avant elements with abandon. She is often accompanied on this album by the guitarist Marisa Anderson and drummer Jim White (Dirty Three, Xylouris White), whose work provides a quietly aggressive sort of free-rock base. Additional players include Montreal bassist Cédric Dind-Lavoie, Bill Nace and saxophonist Zoh Amba. Mayday is a thoroughly thrilling effort that manages to create new vistas of sound while maintaining a feel that is both intimate and familiar. The music here certainly possesses a richly serious tone, but Myriam Gendron (like Leonard Cohen) is able to infuse her darkness with a subtle, powerful light that reminds us that even the most pitch-black night is but a transitional state. Beautiful work.

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Demoler! Demoler! Demoler!

LP | 2024 | EU | Original (Munster)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | Original (City Zen)

Mia Doi Todd

Morning Music

37,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Rebel Tangerine Vinyl Edition

Anne Wilson

LP | 2024 | EU | Original (Emi Nashville / Sparrow)

46,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Singlar Och Andra Sidor Clear Vinyl Edition

Agnetha Fältskog

LP | 2024 | EU | Original (Cupol)

70,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Redsetter Eco-Mix Colored Vinyl Edition

Memorial

LP | 2024 | Original (Real Kind)

29,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

The End

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

Tin Pan Alley

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2024 | JP | Original (Nippon Columbia)

Kegawa No Maries

73,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Tokyo Boogie Woogie Boogie Woogie Age Re-Edit & Remix

Kasagi Shizuko

7" | 2024 | JP | Original (Nippon Columbia)

33,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Scha Dara Parr / Konishi Yas

Oshare Middle / Tokyo No Yane No Shita

7" | 2024 | JP | Original (Nippon Columbia)

33,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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Alla Fiera Dell'est Record Store Day 2024 Edition

Angelo Branduardi

2LP | 1976 | EU | Reissue (Universal)

43,99 €*

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Drive & Cry Transparent Pink Vinyl Edition

Emily Nenni

LP | 2024 | US | Original (New West)

Jennings, Nelson, Cash, Kristofferson

Release: 2024 / US – Original

Genre: Rock & Indie

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Emily Nenni has written a follow-up to 2022’s critically acclaimed record, On The Ranch. Her debut album garnered her much success and introduced her to a devoted audience of music fans who celebrate the traditional side of country music while embracing the modern indie aesthetic that comes with that nod to the past. While writing her latest record, Drive & Cry, Nenni looked in the rearview mirror for inspiration but kept focus on the sound that she has become known for. “This is the first record I have completely written on my own. I spent a good bit of solitary time ruminating on things that had happened over the last year or two. Rethinking what I’m doing, how I’m doing it, who with, even in just the everyday. Change is hard but also such a gift.”

Nenni worked with producer John James Tourville (The Deslondes, Sunny War) to broaden her sound and bring in nuance to the recording. The record was engineered by Jake Davis and mixed by Matt Ross-Spang in Memphis, TN. The resulting recording is a matured country sound that focuses on the fun and the tears that come with all changes in life.

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American Remains

7" | 2020 | Original (CBS)

11,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Balloon Ranger)

Ane Brun

Rarities 2

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Moon Also Rises Moon Colored Vinyl Edition

Johnny Flynn

LP | 2023 | EU | Original (Transgressive Records)

29,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Crammed)

Nihiloxica

Source Of Denial

The Line Of Time And The Plane Of Now Silver Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Source of Denial is the second LP from Nihiloxica, the Bugandan techno outfit hailing from Kampala, Uganda. It comes after more than three long years since Kaloli, their acclaimed debut on Crammed Discs. The album points a (middle) finger at the hostile immigration and freedom of movement policies implemented in the UK, as well as across the world. Fueled by their frustrations with this intentionally convoluted system, the group have produced their most cataclysmic effort to date.

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Shira Small

LP | 1974 | US | Reissue (Numero Group)

LP | 2023 | EU | Original (Habibi Funk)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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Real people music recorded at a Quaker Boarding school in the mid-'70s. Mixing soft psych, vocal jazz, and sunshine soul, Shira Small and her high school music teacher Lars Clutterham created a peerless artifact of outsider magic. Imagination, wonder, the existential dread of Vietnam and math class and getting caught smoking weed in Nixon's America... it's all here. Is your life alright?

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Ahmed Ben Ali

Subhana

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (Balloon Ranger)

Ane Brun

Songs 2013-2023

32,99 €*

12" | 2023 | UK | Original (83817 Echoe)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2xLP, 180g Vinyl.It's ten years since ANE BRUN marked her first decade as a recording artist with the release of SONGS 2003-13, a career-encapsulating double album. Now, with her international reputation flourishing, SONGS 2013-23 allows the distinguished, platinum-selling Norwegian singer songwriter to celebrate her second decade in the business - not to mention her multiple Norwegian and Swedish Grammy awards - while also illustrating the ongoing, fascinating evolution of her singular, compelling talent. Combining tracks from 2015's extrovert When I'm Free and the pandemic era's twin releases, 2020's richly textured After The Great Storm and the more fragile, intimate How Beauty Holds The Hand Of Sorrow, the collection also offers a possible indication of Brun's next moves with a brand new song, '...

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Francesca Lombardo

Rememberance EP

12,99 €*

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 1967 | EU | Reissue (Akarma)

The Serpent Power

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Serpent Power were amongst the many bands that emerged during those heady days of 1967 but, unlike many of their contemporaries who went on to build solid careers, their arrival was only to be a brief spell in the sun as this delightful album was to prove their sole release as a full band. There is no doubt that it stands proudly alongside other better known works of that time.

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LP | 2020 | TR | Original (Dogan Music Company)

Altin Mikrofon 1966

21,99 €*

LP | 1982 | TR | Reissue (Sn Muzik)

Release: 2020 / TR – Original

Genre: Rock & Indie

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Altın Mikrofon (Golden Microphone) is a music contest organized in 1965 by "Hürriyet", one of the biggest newspapers of the time. The first Golden Microphone contest was organized in 1965. The qualifiers of the 2nd Competition organized in 1966 were held in 9 hours in front of a jury including the famous artist Zeki Müren. This time 7 finalists were selected and their contest tracks were released as 45 rpm singles. They gave concerts in Izmir, Ankara, Istanbul, Bursa, Bursa, Eskişehir, Samsun and Konya. The last concert was again held in Istanbul. Silhouettes won the contest with 4563 votes. Second place was Blue Lights with 2850 votes, just like last year. The third with 2382 votes was Selçuk Alagöz. The finalists Kent Yedilisi, T.P.A.O.Batman Orkestrası, Cahit Oben, Siluetler, Ali Atasagun, Mavi Işıklar and Selçuk Alagöz Orkestrası shaped the Turkish Pop Music and Anatolian Rock movement

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Sezen Aksu

Firuze

LP | 2015 | TR | Original (Bayar Müzik)

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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It is the 5th studio album of the artist's oeuvre and was originally released in 1982 on cassette. The track "Firuze" is a ballad that can be considered an anthem in Turkish pop music.Sezen Aksu, who has a very special voice, strengthened her place in the Turkish Pop Music scene with this album. Other important tracks on the album are "Ayrılıklar Bitmez", "İkinci Bahar", "Beni Unutma" and "Dümtek".

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Neset Ertas

Ölümsüz Türküler 1

Release: 2015 / TR – Original

Genre: Rock & Indie

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Neşet Ertaş is a Turkish folk poet, the last great representative of Turkish culture and musical tradition. He is also known as the "Bozkırın Tezenesi ". On the albums he released from the 1950’s onwards, he recorded Central Anatolian folk songs and dance tunes as well as the folk songs he learned from his father Muharrem Ertaş. Starting in the 1960’s, he began to write both lyrics and compositions. He used the pseudonym "Garip", and from the 1970’s onwards, his folk songs were interpreted by many artists of the period. In 2009, he was deemed worthy of being included in UNESCO's Living Human Treasure inventory. This album contains 10 songs performed by the great master in 1998. "Güzel Ne Güzel Olmuşsun", "Hapishanelere Güneş Doğmuyor", "Neredesin Sen" and "Zahide" are the most remarkable tracks on the album

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LP | 1986 | TR | Reissue (Bayar Müzik)

Küskünüm

Release: 1986 / TR – Reissue

Genre: Rock & Indie

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This album was originally released in 1986 on MC and LP. This record was re-released in 2020 and reached the highest sales figures of the King of Arabesk's artistic career, including works such as Küskünüm, Hasret Rüzgarları, Seni Kalbime Gömdüm and Unutamadım, which are among the classics of Müslüm Gürses. You will be surprised by the artist's unique interpretation technique on this record

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LP | 1981 | TR | Reissue (Modern Plakcliik)

Mutlu Ol Yeter

Release: 1981 / TR – Reissue

Genre: Rock & Indie

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Arabesk and Turkish folk music singer Müslüm Gürses released more than 70 albums, concert recordings and compilations between 1975 and 2014. Gürses starred in 38 movies between 1979 and 2011, reaching a wide audience as a popular cult figure from the 2000s onwards. The Mutlu Ol Yeter album, originally dated in 1981,is back on the shelves in 2017.The songs that stand out in the album are “Mutlu Ol Yeter” and “İtirazım Var”,which also give the album its title. Orhan Akdeniz and Burhan Bayar are the musical directors and producers of the album, who also wrote most of the tracks.

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

LP | 2023 | UK | Original (BC Records)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions * First ever reissue of Nancy & Leeâ€™s 1972 classic * Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€ * Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin * Vinyl pressed at RTI * Beautifully packaged and expanded gatefold LP featuring a 20-page booklet * Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea * Never-before-seen photos from Nancy Sinatraâ€™s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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The Mary Wallopers

Release: 2023 / UK – Original

Genre: Rock & Indie

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Markley (West Coast Pop Art Experimental Band)

Markley, A Group

LP | 1969 | EU | Reissue (Life Goes On)

Chantal Acda & Eric Thielemans

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Markley, A Group is the sixth and final album by the American psychedelic rock group, the West Coast Pop Art Experimental Band, and was released in 1970 on Forward Records, owned by Mike Curb. The album was released under another group name, Markley A Group, as decided by the group owner, Bob Markley. It features compositions by Danny Harris, Michael Lloyd and Shaun Harris with lyrics by Bob himself. The content is simple and soft, reminiscent of the band's earlier work. A gently pop-psych stroke of genius.

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Koyaanisqatsi

LP | 2022 | EU | Original (Sub Rosa)

LP | 2019 | EU | Reissue (Sub Rosa)

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose a new score for »Koyaanisqatsi«, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece. Slow deep electric waves, lonely synths in sonic desert landscapes, rhythmic pulses, transporting drums and bells, and deeply longing sounds and voices make up the audible fundamentals of this imagined, neo shamanic, ritualistic music to accompany the Earth as it keeps on supporting our post human frenetics even today.

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Bill Laswell

City Of Light

Sakla Samani Gelir Zamani

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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City Of Light is the sixth solo album by American composer Bill Laswell, released on July 29, 1997. While it may appear an anachronism in his catalog, fans of Bill Laswell will find City Of Light an extension of ideas he has explored throughout his career. His strong interest in Eastern music and religion resulted in this 1997 collaboration with Janet Rienstra. Part sacred, spoken word, part meditative soundscape, City Of Light takes as its inspiration the holy region of Banaras, India. Said to belong to Shiva, Banaras also contains the Ganges river: a place sought by Hindus for their cremation. Surrounding the texts is some of the most compelling music this genre has produced featuring Trilok Gurtu on tablas, Coil (Peter Christopherson & John Balance) on electronics, sound collages by Tetsu Inoue and vocals provided by Lori Carson.

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Baris Manco

LP | 1976 | TR | Reissue (Emre Grafson)

Baris Manco & Kurtalan Ekspres

Release: 1976 / TR – Reissue

Genre: Rock & Indie

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2018 Re-mastered, 180g black viny. The single compilation of Barıs Manco from 1972-1975. Originally released in 1976. Psychedelic Sound flavoured by Turkish traditional instruments and anonymous lyrics, Can’t take your ears off the sound that you hear.

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Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

1971-1973 Single Compilation

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Gülden Karaböcek

LP | 2022 | TR | Original (Sah Plak)

Release: 2022 / TR – Original

Genre: Rock & Indie

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2018 Remastered, 180g black vinyl in gatefold with new cover art. This is a great collection of rare, early singles of another female Turkish singer Gulden Karabocek which focuses on traditional folk instrumentation and 70s pop elements. Her pure voice, vibes and catches you at the first second when she sings. Album is a singles compilation of 1971-1973 which represents the golden era of Turkish pop music.

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LP | 2021 | TR | Original (Pasaj)

Sandik

21,99 €*

Release: 2021 / TR – Original

Genre: Rock & Indie

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2021 remaster, 180g black vinyl. Muslum Gurses was a phenomenon singer and then actor for 40 years in his career. Semi Kurdish / Turkish man who was born in south east region of Turkiye. His music was inspired by Arabic, Kurdish and Turkish influence. This album is a nice blend of middle east folk music. Melancholic sound of his voice will be haunting you. It is worth to take a listen.

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Nancy & Lee 8Track Edition

8Track | 1968 | US | Reissue (Light In The Attic)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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This is an 8track-cartridge, not a music cassette

First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Tape | 1968 | US | Reissue (Light In The Attic)

Nancy & Lee

9,99 €*

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Nancy & Lee Black Vinyl Edition

LP | 1968 | US | Reissue (Light In The Attic)

LP | 2022 | US | Original (Impatience)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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First ever official reissue of Nancy & Lee’s classic 1968 duet album
Definitive reissue with Nancy’s involvement
Includes the bonus tracks, “Tired Of Waiting for You” and “Love Is Strange,” from the album sessions
Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
Vinyl pressed at RTI
Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
Never-before-seen photos from Nancy Sinatra’s personal archive
Beautifully packaged and expanded gatefold LP featuring a 20-page booklet

Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. This definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY®-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an uptempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). This release marks the official debut on vinyl for both tracks.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy Sinatra and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. (RTI) in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto is available here.

MORE ABOUT NANCY & LEE

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “we used to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic Records for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

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Tarotplane

Light Self All Others

LP | 1989 | EU | Reissue (Everland Psych)

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Tarotplane offers up a new portal of possibility, entitled Light Self All Others, on the Impatience label. An unshackled mind melt of amorphous Berlin School electronics, glistening guitar tones, snatches of disembodied voices and rumblings of percussive melody, Light Self All Others is an invitation to introspection, turning Tarotplane’s sky seeking kosmiche towards a resonant, contemplative core. Drifting between dreams, the record is infused with an emotional ambiguity that veers from foreboding to catharsis via pointed sonics of often unplaceable origin.

Light Self All Others emerged from a wealth of material collected over the period from 2019-2021. In a self-described “haphazard” process, Tarotplane throws down hundreds of loops, riffs and samples, intuitively collaging disparate nuggets into form which the self-taught guitarist can riff over. Following some heavy-handed post processing, the emergent sound is too busy to be strictly ambient, too zonked to be considered rock, instead resting on a modern psychedelic perch of it’s own somewhere in between.

Light Self All Others seamlessly cycles through ten tracks over the course, each piece constituting a beguiling, valuable piece of a vibrant whole/hole. From opener Pedestrian To Freeze Frame’s gently pulsing pads and soaring lead lines a feeling resembling optimism emerges, while Supermarket Tropicals could be a call to prayer from a utopian future, or equally hold music at the local ketamine clinic. A Fraught Parallel’s hazy urgency seems to foreshadow an imminent demise, cryptic effected samples attempting to get a warning through but thwarted by an engulfing hum and swooping guitar, and Portals Of Possibility’s ritualistic drone is anchored to a gently beating morse code rhythm while the thunder cracks and threatens to capsize the ship. Album closer Paradise Adjacent scrambles the signal one last time, a slo-mo showdown from a sci-fi saloon. With acoustic guitar, an idealist monologue and some fx pedals it closes the curtain with the kind of lonely, disorienting cosmic koan it’ll take a lifetime to answer.

Light Self All Others offers Tarotplane’s most complete work, a thrilling, expanding head trip from a parallel future.

Tarotplane is PJ Dorsey, from Baltimore, Maryland. He’s previously released records on 12th Isle, Lullabies For Insomniacs, Noir Age and VG+.

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Kola Beldy

White Island

LP | 1974 | US | Reissue (Mobile Fidelity)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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I have never heard before of the Jurchen culture from the Chinese and later East Russian Northlands and as well not of the Nanai People who have risen from the scattered remains of the Jurchen culture wiped out by furiously attacking Mongolian steppe armies some 850 years back. The Great Khans did not leave much variety after sweeping through the taiga towards Western Europe in the 12th and 13th centuries. So the Nanai people came to exist and had their songs and instruments. Some of them were used by composer Alexander Lavrov and singer Kola Beldy who is of Nanian descent in their music on this, Kola Beldy’s fourth album. Just as all his records from the 1980s, this is extremely rare and originals in good shape can cost a small fortune. Just in case they ever turn up somewhere outside the vast Russian country. Now for the very outstanding music that as mentiond above is based on centuries old folk tunes of the Nanai and Jurchen cultures which get slightly updated in the sense of 1989 state oft he art pop and rock and that even in a slightly progressive way. Kola Beldy, already 60 years of age by then, was a long time active folk and pop singer in the Soviet Union who unfortunately passed away only 64 years old in 1993. He owns a full, warm mid ranged voice and chants the ancient melodies in a mystifying way. The instrumentation behind him shows a good variety of old and modern instruments. While the opening track is based mostly on percussion and drum patterns with an eerie grinding sound and later on a jew’s harp added upon which Beldy lays down a melody with a typical far eastern approach in what seems to be Russian language, further tracks contain synthesizer lines and even an electric guitar. Still the overall atmosphere is mostly mystical, solemn and spiritual. I definitely have not heard anything alike before. The more rock oriented tunes could bring back memories of Italian movie soundtracks by Goblin, based on progressive rock and jazz to the mind of the listener, just with these awesome vocals. Italian 90s progressive rockers Presence also had a similar approach. The keyboards, organ, very modern singing bass guitar head towards a very progressive direction here. Art pop, if you want to call it that. Based on ancient Nanian tunes but made timeless and even in 2021 fresh sounding by a very talented band. So, Kola Beldy’s fourth album may not be a mainstream favorite, fans of progressive pop like that of early 80s Goblin, Presence from the early 90s and good ol‘ Peter Gabriel, not for the voice itself but for the songs, will find pleasure in this nifty obscurity which gets reissued now for the first time on vinyl in 32 years.

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Ravi Shankar

Shankar Family & Friends

49,99 €*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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LP | 1991 | EU | Reissue (Decca)

Nusrat Fateh Ali Khan

Shahbaaz

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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Eden's Island Extended Black Vinyl Edition

Eden Ahbez

2LP | 2021 | EU | Original (Everland Psych)

LP | 1975 | EU | Reissue (Ossi Müzi)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie

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Erkut Tackin

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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7" | 2020 | UK | Original (DIY)

Dijit

Natfo

12,99 €*

LP | 2011 | US | Reissue (Delmore Recording Society)

Release: 2020 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Cairo’s Dijit follows that smoked out, killer debut album for Youth with the first release on newly minted Cairo/London based label diy. Recommended if yr into Jabu, Andy Stott, Tricky, Zuli or ManonMars.

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Karen Dalton

1966

31,99 €*

LP | 1975 | EU | Reissue (Sony Music Catalog)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Karen Dalton was a remote, elusive creature. A hybrid of tough and tender with an unearthly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that the only way to survive the harshness of the world around her, was to keep herself hidden. So it comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time, was she coaxed from her habitat into the studio. Other times she made music in casual settings, sitting around a kitchen table or wood burning stove with her friends, singing and playing until daybreak.

In 1966, Carl Baron brought his reel to reel over to her remote cabin in Summerville, Colorado and recorded one of those exquisite musical evenings. Karen and Richard Tucker were rehearsing for a gig when Carl hit the “Record” button. The result is a 45-year-old tape, carefully exhumed, documenting Karen at her most raw and unfiltered. On it are Fred Neil and Tim Hardin songs we’ve never heard Karen give voice to before, as well as traditional songs she uncannily makes her own, including a devastating version of ‘Katie Cruel’, that is so powerful, it is as if the ghost of Katie Cruel seeped into her blood. This recording is a window to her Summerville cabin opened, allowing us to eavesdrop on Karen Dalton at her most pure and unaffected.

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Willie Nelson

Red Headed Stranger

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 2019 | US | Original (Walkie Talkie)

Cactus Blossoms

Easy Way Out -Download-

2LP | 2017 | US | Original (Intervention)

Release: 2019 / US – Original

Genre: Rock & Indie

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The Cactus Blossoms return with a new album "Easy Way", a self-produced collection of ten new
originals on their own Walkie Talkie Records.

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Judee Sill

Heart Food

76,99 €*

Release: 2017 / US – Original

Genre: Rock & Indie

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LP | 1996 | US | Reissue (American)

Johnny Cash

American II: Unchained

35,99 €*

LP | 2013 | US | Original (Tompkins Square)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin!

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Daniel Bachman

Jesus Im A Sinner

Release: 2013 / US – Original

Genre: Rock & Indie

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LP | 2012 | US | Original (Republic)

Bahamas

Barchords

35,99 €*

LP | 2011 | US | Original (Manifesto)

Release: 2012 / US – Original

Genre: Rock & Indie, Pop

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More poppy soulful folk from Afie Jurvanen.

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Tom Waits

The Early Years Volume 1

Release: 2011 / US – Original

Genre: Rock & Indie

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2LP | 2011 | UK | Original (Not Now)

Robert Johnson

The Complete Collection

Release: 2011 / UK – Original

Genre: Rock & Indie

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2LP | 2008 | US | Original (Sub Pop)

Fleet Foxes

38,99 €*

Release: 2008 / US – Original

Genre: Rock & Indie

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incl. code for free download!

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LP | 2024 | WW | Original (Ossi Müzik)

Pop Folk From Anatolia

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 1984 | WW | Reissue (Esen Müzik)

Yaranamadim

Release: 1984 / WW – Reissue

Genre: Rock & Indie

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Baris Manco & Les Mistigris

Kizilciklar Oldu Mu EP

12" | 2009 | WW | Reissue (Coskun Plak)

Release: 2009 / WW – Reissue

Genre: Rock & Indie

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12" | 2024 | WW | Original (Emre)

Baris Manco

Egri Egri Dogru Dogru EP

Release: 2024 / WW – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Los Guayabo Brothers)

Los Guayabo Brothers

Psychotropical

LP | 2024 | EU | Original (Nangma Productions)

Release: 2024 / EU – Original

Genre: Rock & Indie

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PsychoTropical' is a true musical journey that skillfully blends traditional Latin American sounds with modern and psychedelic touches. The tracks are both catchy and contemplative, offering a harmonic and rhythmic richness that will take you to unexplored musical horizons. Here's a broad spectrum of the topics addressed: firstly, the simple and wild party (La Conjuntivitis). the sadly familiar crackdowns since 2020 during festive demonstrations in Toulouse (Folkloriptica). social issues such as modern slavery (La Cumbia Libertaria) or the Colombian armed conflict (Fango). Los Guayabo Brothers approach their Colombian identity in a more introspective way (Origins) and also evoke their adopted French culture (El Francer).

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Kyab Yul-Sa

Murmures D'himalaya

Cowboy Carter Red Vinyl Blonde Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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In Tibetan, Kyab means “exile” YUL means “the place”, “the land” SA means “resonance” Kyab Yul-sa or “The land of exile, of exiles, and their resonances” Created in 2015 by Tibetan artist Lobsang Chonzor (vocals, Tibetan dranyen lute, gyumang tympanum), the beating heart of this unique ensemble, the Kyab Yul-sa trio draws its identity from traditional Tibetan music. Here, Lobsang Chonzor plays with Margaux Liénard, violinist and bouzoukist with Scandinavian and Northern European musical influences, & Julien Lahaye, expert in the art of Persian rhythmic. Together, they transcend the foundations of traditional Tibetan music by integrating new arrangements, inspired by musical languages that echo and enrich each other. ...ON Their Common Land OF Music, MusicIANS Offer THE Tibetan Tradition A MusicAL Renewal With A Unique AND Mixed Tone... After "Résonance d'Exil(s)" / album 2017, Kyab Yul-sa keeps on its creative path with "Murmures d'Himalaya": a new repertoire in the form of a musical journey retracing Lobsang Chonzor’s life, from his Tibetan childhood to his exile - inspired along the way by music and people alike. With his companions, Lobsang Chonzor gives life to brilliant singing and frantic cavalcades on the long neck of his dranyen lute - a unique musical style resulting from their own diversity. Drawing from this, the trio composed a repertoire that offers a new look at an endangered culture. A dreamlike journey through sounds, landscapes, memories and emotions, addressing identity, heritage and universality with exhilarating harmony and generosity.

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Beyonce

2LP | 2024 | EU | Original (Sony)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter White Vinyl Snake Face Edition

Beyonce

2LP | 2024 | EU | Original (Sony)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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Cowboy Carter Blue Vinyl Cowboy Hat Edition

Beyonce

2LP | 2024 | EU | Original (Sony)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie, Pop

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LP | 2019 | US | Reissue (Palilalia)

Bill Orcutt

Odds Aginst Tomorrow

LP | 2024 | US | Original (Palilalia)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After two LPs and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest LP, Odds Against Tomorrow. Taking its title from Robert Wise 's 1959 film noir, Odds Against Tomorrow retrofits familiar folk/blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion of the territory charted by Bill Orcutt, his eponymous 2017 studio electric debut, although it's certainly that. With its nods to existing musics, half-step fluctuations, and near-songwriter-ly manipulations of tension/release, Odds Against Tomorrow is a rock record—almost. Clearly and simply recorded through a clattering Fender Twin in Orcutt's living room and lovingly mixed by Bay Area neighbor and pedal-steel savant Chuck Johnson, no one would mistake it for any era's radio fodder, yet the precision of its technique and the swaying Child-ballad logic of its gentler improvisations comfortably seats it between John Mayall and Richard Thompson in your Ikea Kallax... Odds Against Tomorrow challenges contemporary solo guitar practice in a way that simultaneously nullifies hazy dreams of folk purity and establishes a new high-water mark for blues-rock reconstruction."—Tom Carter

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Shane Parish

Repertoire

31,99 €*

LP | 1978 | TR | Reissue (Ossi Müzik)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Imagine: It’s sometime in the back half of the 19th century, America. You’re sitting in the parlor of your mansion, or in the only room of your shack; things are dusty and smell like sweat and hair, no matter how wealthy you may be. You don’t own a phonograph, and you don’t know who Tony Hawk is, but you have an inkling of how good the word 'shred' is going to feel when it enters the local slang. Suddenly, a tall, elegant figure with beautifully maintained fingernails emerges from some corner of the room, carrying a guitar. He says in a soft voice, 'I have a transmission for you, from the coming few centuries. Would you like to hear it? I figured you wouldn’t have a dongle, so I brought my guitar.'

You may be apprehensive, but you shouldn’t be. Shane happens to be an internationally renowned virtuoso of the guitar. Specifically, he’s the kind of virtuoso who is as deep on style as he is on technique. His technical prowess is almost maddeningly complete; aiming paradoxically for the yards-long target called “breadth” he’s somehow hit all of it, 500 arrows piercing every pore of the landscape. He has that much technique not for the sake of guitar worship but to best bring the music forth clearly and in his own hand, like a pearl formed in a specific sea. I know this because I’ve sat next to him in multiple countries and American states and seen him deliver transmissions of that extreme honesty, with that extreme capability.

Like Derek Bailey’s 'Ballads,' this record brings you into the room and the breath of a true musician whose mastery does not overshadow his appreciation of the music that inspired it. The title, 'Repertoire,' underscores the beautiful songs he chose to perform, all standards of 20th century musical excellence. The in-time persistence of his blues-walked 'Lonely Woman.' The grand registral descent he performs on 'Pithecanthropus Erectus,' like a rare document of the trip down from Everest. Dig how 'Better Get Hit in Your Soul,' emphasizes the folk blues water coursing through Mingus’s Ellingtonia, how Aphex Twin’s 'Avril 14' and the Minutemen’s 'Cohesion' sound so much older than Cage’s 'Totem Ancestors.' 'Repertoire' puts forth the idea that time is arrangement: time and arrangement are each only as successful as they are faithful to their origins and expansive in their style.

Again, lest you fear the alien smoothness some associate with the concept 'virtuoso,' remember here we’re dealing with a time- traveler. His virtuosity is home grown, born of human work rather than some abstract or divine touch; the aim is not to go beyond the realm of human technical possibility but to expand it in the direction of human, meaning, timely. This guy can play anything, and for you, for this record, which sounds intimate and as present as a transmission from a time-traveler, he chooses to."—Wendy Eisenberg

Member of the Bill Orcutt Quartet and Tzadik Recording Artist

Solo guitar arrangements of various jazz /avant garde/electronic/etc. tunes.

Edition of 500 copies.

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Osman Ismen Orkestrasi

Diskomatik Katibim

Release: 1978 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2LP | 2024 | EU | Original (Everland)

Boban Petrovic

Zur / Zora

59,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1981 | EU | Reissue (Everland)

Boban Petrovic

Zur

31,99 €*