Hip Hop 50 Items

Upstate NY heavyweights 38 Spesh and Conway The Machine have joined forces for a collaboration album fans did not see coming. Having recorded with each other for well over a decade, these two lyrical powerhouses' styles mesh effortlessly on this 10-track offering. The soundbeds for the illustrious affair are provided by Spesh himself with the help of a producer he has championed for years, Jimmy Dukes. Instead of continuing to mine the '90s like their contemporaries, the duo bring a sound that calls back to early '00s Hip-Hop. On top of verses that will etch themselves in your mind courtesy of Spesh and Conway, the project includes standout bars and hooks by the likes Lloyd Banks, Pharoahe Monch, Benny The Butcher, Che Noir, ElCamino, and Emanny.

12" matte gatefold jacket, white color double vinyl & embossed reverse board record sleeves.

A tech company's "senior spirit guide" finally comes to the defense of the "financially unsuccessful" Vincent van Gogh; wonders of the natural world are reimagined as "muster points for brainstorming innovators"; the "artificial char lines" on fast-food burgers are cited as if signs of the apocalypse. For the better part of three decades, Aesop Rock has used the syntax of the moment to pinpoint the fault lines in that moment's supposedly solid foundation. With his tenth album, Integrated Tech Solutions, Aes wields insidious corporatespeak as a tool to pry that parasitic worldview away from the parts of life that truly matter. A concept album about an organization offering "lifestyle- and industry-specific applications designed to curate a desired multi-experience," Integrated Tech Solutions picks apart the charlatan language that hears app inventors put themselves on continuums starting with cavemen and continuing through da Vinci. On "Mindful Solutionism," the wheel evolves seamlessly into modern agriculture - and then into atomic bombs, Agent Orange, cigarettes, and surveillance cameras. In a rare moment of transparency, the engineers Aes give voice to sum up this spiral in just a few words: "We cannot be trusted with the stuff that we come up with." Appropriately, the album sounds like the past and future at once. Largely self-produced, Integrated Tech Solutions catches Aes at his leanest and most innovative, leveraging "SolutionismÖs careening bounce against the wistful "By the River" or the slow creep of "Salt and Pepper Squid." The effect is a record that sounds itself like an organism growing, mutating, hurtling toward profitability - and then destruction. As fans have come to expect, Aes is cuttingly funny and slyly profound at once, whether recounting a childhood restaurant run-in with Mr. T ("100 Feet Tall") or quipping, on "Pigeonometry," that "white dove is a pigeon - you motherfuckers is bigots." At the same time, Integrated Tech Solutions is working on another parallel project: tracing the sprawl of modernity and cutting directly to its core. "I've been doing laps of the lost worlds," he raps on "All City Nerve Map," sounding at once wearied and reinvigorated. "I can draw a map to the raw nerve."

Seasoned MC and producer, Apathy, delivers his 9th full length album as an integral piece of his impressive 25+ year career. Back in 2014, he blessed hip hop heads with "Connecticut Casual", one of his most personal and fan-favorite outings to date. Once again heavily inspired by his hometown surroundings and shore-life encounters, Ap brings to fruition the next chapter in the soundtrack to the New England way of life with this new-age sequel to the original "CT Casual". The majority of the project is painstakingly produced by newcomer beatsmith, Playa Haze, with additional production from Apathy himself, along with contributions from Alcapella, plus Little Vic on both the boards and the mic. Ap's longtime partner-in-rhyme, Celph Titled, appears as one of the few guest features blessing the LP. Sail along this ride through murky waters, mysterious folklore, brash talk, and experience the East Coast lifestyle through the eyes of a Demigod.

Initially Written And Recorded When Atmosphere And Fledgling Label Rhymesayers Entertainment Were Still Making A Name For Themselves In The Minneapolis Hip-Hop Scene, "God's Bathroomfloor" Was An Early Standout For The Group. Turning Heads And Drawing New Fans In With Slug's Introspective Raps Over Producer Stress' Hypnotic Jazzy Beat, The Song Was Performed Live Frequently, Becoming An Audience Favorite Before Everappearing On An Actual Release. Even Then, It Was Only A Live Performance They Made Available, And Only On A Limited Mixtape They Released In 1996. It Would Be Another Year Before The 4-Track Studio Recording Would Surface On Atmosphere's Overcast! Ep, A Collection Of Focus Tracks Promoting Theirdebut Full-Length Album, But "God's Bathroom Floor" Never Made It Onto The Album Itself And Slowly Slipped Into Obscurity From There. Now, In Celebration Of Its 25th Anniversary, Theoriginal Recording Has Been Unearthed, Remastered, And Pressed On This Limited Edition 7-Inch Vinyl. Plus, In A Nod To The Song's Original Release As A Live Version, We've Included A New Live Performance Of The Song, Recorded Recently In Montreal, Mixed And Mastered Exclusively For This Special Release.Whether You're A Lifelong Fan Whose First Introduction To The Group Was Through This Song, A New Fan Looking To Explore The Group's Historical Roots Further, Or Somewhere In Between, This Release Will Be A Welcome Addition To Your Atmospherecollection.

Often recognized as one of the most consistent and prolificduos in independent hip-hop, Atmosphere hit a stride ofextraordinary output from July 2007 to April 2008, even by theirown standards. Within those 9 months, they released afull-length album, four EP's, and a 42-minute mixtape ofexclusive material, altogether totaling 48 new songs released, allwhile they were consistently touring as well. This rapid-fire stringof releases introduced some of their most popular songs to dateand showcased their dynamic range, from moody and reflective,to upbeat and optimistic, to a boom-bap throwback style of rap,the latter of which was most prominently displayed on themixtape. Introduced on Christmas Day 2007, the mixtape was a"gift" to fans in the form of a free download, aptly titled StrictlyLeakage - a nod to both eschewing standardized industrypractices in favor of giving the music away, and to anotherprominent album title from the era that inspired them andperhaps more specifically, these recordings.Strictly Leakage surprised fans and critics alike, not justbecause the download invite appeared in their inbox withoutwarning, but also because the project sounded so uniquelydifferent from Atmosphere's typical recordings. Ant was diggingdeep into the funk & soul crates, favoring samples over liveinstrumentation, and producing tracks that sounded as if theywere birthed alongside late '80s and early '90s hip-hop classics.Slug was rapping with a renewed passion, yet somehowsounding more casual and carefree delivering endless wordplaywith more technical rhyme patterns than other Atmosphereprojects. Together, they created 13 exclusive songs that soundedas if they were just having fun making them, without thepressure of any album expectations - undoubtedly as rewardingan exercise for themselves as it was for the listeners.Early on, Strictly Leakage had been pressed on a limited run ofvinyl and CD, but it wasn't long before they sold out, and fanswere left chasin...

Bacao Rhythm & Steel Band are back with a heavy two sider of West Coast Hip Hop covers that put a new spin on tried and true classics.Side A is their cover of Game and 50 Cent's "How We Do", one of the standouts from Game's 2005 debut album. It was their cover of 50's PIMP that really put Bacao on the map and now they are back to lend their sound to another club hit. Steel pans and horn lines trade off over their signature heavy drums and breathe new life into this classic.The B Side is another show stopper. Bacao takes on Dr Dre & Snoop Dogg's "Nuthin But A G Thang" and give it a proper treatment. Staying close to the original and replaying the iconic synth and bass lines on the pans proves to be incredible. This will be working its way through DJ sets around the globe as soon as it hits the streets.

Experience an experiment turned masterpiece…"York". Originally titled "NoYork" and slated to be the major label debut from acclaimed Los Angeles emcee Blu, this much-discussed collection was eventually renamed and (finally) released through Nature Sounds in 2013. The result was a certified classic that remains one of Blu’s most ambitious projects to date.

Infused with the electronic experimentation of the early 2000s L.A. beat scene, "York" covers a wide spectrum of sound, displaying the production of beat icons like Flying Lotus, Madlib, Exile, Dibia$e, Shafiq Husayn, Daedalus, Knxwledge, and Samiyam. Melding world-class lyricism with sonic textures encompassing psych rock, dub, broken beats, and jazz, the album strikes a unique balance between golden era hip-hop and eclectic futurism. Several guest artists helped Blu realize this vision, including U-God of Wu-Tang Clan, Edan, Sa-Ra, Pac Div, Suzi Analogue, U-n-i, J*Davey, and more.

It seemed that if I didn’t somehow repeat the process of greatness, and do so immediately, multiple times away to satisfy playlist and binge watch culture, then I “wasn’t shit”. After a while I was like “nah this doesn’t feel good,… I don’t know if I am finding joy in this”. I would record songs and not release them, obsess over sessions recorded in my home with 30 takes of vocals and wake up only to delete them. When it began to feel right I found solace in an epiphany that I was not obligated to operate at any other wavelength. I am moving on a different type of time, and that doesn’t expire. -Cavalier For heads of a certain time period of NYC hip-hop, Brooklyn born, New Orleans-based rapper and songwriter, Cavalier was the one that got away. The outrageously talented artist whose name and reputation preceded him everywhere you went in the scene. The rapper who everyone knew was so dope that he had to blow, but who never seemed concerned with any of that. The pretty boy draped in Polo who stole every live show with a feather in his hair and a mouth full of gold fronts. The cat so dedicated to his own independence that even indie labels stopped trying to sign him and projects came when they came, but when they came they were undeniable. Cavalier was That guy for a lot of us; a silver-tongued philosopher with an eye for the poignant details of black life and a delivery as effortless as a young Ken Griffey’s swing. All that said, it never really felt like Cav had that moment in the spotlight that we always assumed was coming. After chiseling away through headier cult corners of the NYC hip-hop scene Cavalier was recognized for his memorable co-pilot to Quelle Chris’ 2013 Mello Music debut, Niggas Is Men. The critically acclaimed LP helped propel Quelle Chris into the forefront of indie hip-hop (and also happened to be the first production credits for Messiah Muzik). Cav followed up with his first full length, Chief, which sports a notable Raekwon feature but also early work from producers like Ohbliv and Tall Black Guy. A relocation to New Orleans and partnership with producer/vocalist Iman Omari yielded two more projects: 2015’s Lemonade EP and Private Stock in 2018. Great records all; eagerly sought by collectors and signal boosted by influential media like OkayPlayer, Solange’s Saint Heron, and Pitchfork. Cavalier’s bonafides have never been in question, but his new album Different Type Time feels like a revelation—a sonic suspension bridge between his rich history and the artform’s future. Different Type Time doesn’t sound like the future though, its vibrations are somewhere all their own. It sounds like jazz, like a conversation overheard in roti shop, or a pool hall, or the foyer of your old building on a fall day, front door propped open with a brick. The blues is in there too, and the south—the American South, and the Global South, and South Brooklyn. It’s not that it sounds like the past, but you can hear everything that came before in the thick of the basslines and the yearning of the keys. Different Type Time also doesn’t sound like now, it sounds like Right NOW; the bounce of the lyrics like the staccato of basketball in the park, carried on a spring breeze. Although he doesn’t rap on DTT, Quelle Chris plays a pivotal role; producing eight songs and serving as associate producer/consigliere to Cav throughout the creative process. “There is no time wasted in explaining things when I collaborate with Quelle. He understands the universe I am in and the realities I want to create. He’s in them. And I don’t think I can envision one without him,” Cavalier explains. Messiah Muzik, Wino Willy, Ohbliv, Ahwlee, Child Actor, Fushou and several other producers round out the credits, all lending their talents to the album’s spaciously soulful sound. At the center of all these alchemies is Cavalier, nimbly dancing in and out of pockets like a sidewalk game of jumprope. Different Type Time is a masterclass in this thing we call hip-hop; daring and original, yet always standing deeply rooted in the culture

1. Different Type Time prod. Quelle Chris & Cavalier
2. Custard Spoon prod. Quelle Chris
3. Can’t Leave It Alone feat. Eric Jaye prod. GLassC!ty
4. Come Proper prod. Jacob Rochester
5. Touchtones prod. Aummaah
6. Déjà vu / Tydro ‘97 prod. Messiah Muzik / Quelle Chris
7. Doodoo Damien prod. Quelle Chris
8. Baby I’m Home prod. Wino Willy
9. Yeah Boiii prod. Quelle Chris
10. All Things Considered (prod. Wino Willy
11. Pears (prod. Malik Abdul-Rahmaan
12. Told You (prod. Fushou
13.Badvice (prod. Low Key
14. Think About It feat. Billzegypt prod. Obliv
15. Up From Here / 7th Ward Spyboy prod. Ahwlee / Quelle Chris
16. Manigaults / I Miss Them prod. ruffiankick
17. Lazaroos prod. Vinny Cuzns
18.Bespoke feat. Dominic Minix prod. Hann_11
19. 50 Bags feat. Lord Chilla prod. Child Actor
20. Axiom / My Gawd prod. GLassC!ty / Quelle Chris
21. Flourish prod. Quelle Chris

Imaginary Motion Picture Soundtrack

Experimental hip-hop group Clipping's "The Deep" is a dark sci-fi tale about the underwater-dwelling descendants of African women thrown off slave ships, based on the mythology of Detroit electronic group Drexciya. The song was originally commissioned for a This American Life about Afrofuturism in 2017. The track earned Clipping a nomination for a 2018 Hugo award, and the band constructed a sound installation based on "The Deep" at the Massachusetts Museum of Contemporary Art. This release comes on the heels of the November 5th release of The Deep, a novella by Rivers Solomon (with Clipping credited as co-authors) inspired by the title track and published by Saga Press. The vinyl and digital versions include two otherwise-unreleased extra tracks - including "Aquacode Databreaks," which features Shabazz Palaces - and the vinyl edition includes instrumental versions of all three tracks.

In the horror genre, sequels are perfunctory. As the insufferable film bro Randy explains in Scream 2, "There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate-more blood, more gore. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead." Last Halloween, Los Angeles experimental rap mainstays Clipping ended their three-year silence with the horrorcore-inspired album There Existed an Addiction to Blood. This October, rapper Daveed Diggs, and producers Jonathan Snipes and William Hutson return with an even higher body count, more elaborate kills, and monsters that just won't stay dead. Visions of Bodies Being Burned is less a sequel than it is the second half of a planned diptych. It turns out, Clipping took to the thematic material of horrorcore like vampires to grave soil. Before the release of There Existed an Addiction to Blood, Clipping and Sub Pop Records divided the material up into two albums, designed to be released only months apart. However, a global pandemic and multiple cancelled tours pushed the release of the project's "part two" until the following Halloween season. Visions of Bodies Being Burned contains sixteen more scary stories disguised as rap songs, incorporating as much influence from Ernest Dickerson, Clive Barker, and Shirley Jackson as it does from Three 6 Mafia, Bone Thugs-N-Harmony, and Brotha Lynch Hung. Clipping's angular, shattered interpretations of existing musical styles are always deferential, driven by fandom for the object of study rather than disdain for it. Clipping reimagine horrorcore-the purposely absurdist hip-hop subgenre that flourished in the 1990s-the way Jordan Peele does horror cinema: by twisting beloved tropes to make explicit their own radical politics of monstrosity, fear, and the uncanny. The album features a host of collaborators: Inglewood's Cam & China, fellow noise-rap pioneers Ho99o9, Tortoise guitar genius Jeff Parker, and experimental LA drummer Ted Byrnes. The final track, "Secret Piece," is a performance of a Yoko Ono text score from 1953 that instructs the players to "Decide on one note that you want to play/Play it with the following accompaniment: the woods from 5am to 8am in summer," and features nearly all of the musicians who appeared on both albums. Since their last album, Daveed Diggs-the group's Tony and Grammy Award-winning rapper-has starred in the TNT science fiction series, Snowpiercer, voiced a character in Pixar's Soul, and portrayed Frederick Douglass in Showtime's The Good Lord Bird. Writer Rivers Solomon's novella based on Clipping's Hugo-nominated song "The Deep" has been nominated for the Nebula, Hugo, and Locus Awards, and won the Lambda Literary Award for best Lgbtq SF/Fantasy/Horror novel. Clipping's song "Chapter 319"-a tribute to George Floyd (aka Big Floyd) the former DJ-Screw affiliated rapper who was murdered by police officers in May of 2020-was released on Bandcamp on June 19th and raised over $20,000 for racial justice charities. A clip of the song also became a popular meme on TikTok, generating over 50,000 videos in which teenagers rapped the song's lyrics ("Donald Trump is a white supremacist, full stop_") directly into the frowning faces of their conservative parents. The band also contributed a Skinny Puppy-esque rework of J-Kwon's "Tipsy" to Save Stereogum: An '00s Covers Comp.

Rising from the wreckage of a war torn planet, Czarface joins forces with MF Doom in the epic Czarface Meets Metal Face!
Blending Doom's trademark abstractions and Czarface's in-your-face lyrical attack, this album is ripe with cartoon violence, societal observations and pop culture musings. Over banging beats provided by The Czar-Keys, the armored team give you the witty unpredictable treats any hip-hop fan can sink their fangs into.
Expect beats, rhymes, and metal as Czarface controlled by Wu-Tang Clan powerhouse Inspectah Deck and 7L & Esoteric team up with everyone's favorite villain, MF Doom. With track titles like "Nautical Depth","Meddle With Metal", "Astral Traveling"
to "Madness of Badness" this album packs a punch with 16 brand new tracks. Add that with features from Open Mike Eagle and Jedi Mind Tricks' Vinnie Paz, we promise you mind-bending metaphors and brain-melting beats as this powerful pairing sounds off in
March 2018!

CZARFACE, iron clad crime fighter, heroically returns to his lair after two spine-chilling adventures with MF DOOM and GHOSTFACE KILLAH. In his secret hideout, he has whipped up a
few uncanny surprises for longtime Czar fans...expect curveball concepts, solo exploits, and noggin nodding neck-snappers alike.
“The Odd Czar Against Us” launches this winter on compact disc and vinyl, and CZARFACE goes full Voltron, employing every asset in his arsenal, maximizing lyrical efforts from Inspectah
Deck & Esoteric and pulse-pounding production from in house beatsmith 7L & Jeremy Page. This album stands to be the group’s most ambitious and challenging effort to date. Are the odds against him this time, or are they against the underworld? Tune in to find out!

In the last five years ElCamino has gone from up-n-coming Griselda affiliate to fan-favorite B$F member. He released two volumes of his self-titled album series in that time and left heads eagerly awaiting the third instalment. Then, last summer he served up ElCamino 3 and showed what he was really capable of. The acclaimed album features production by Harry Fraud, Camouflage Monk, CeeGee, and guest spots from 38 Spesh, Jay Worthy, A$ap Ant, and more.

In Emanuele Triglia's 'Moon Kin' we embark on a captivating journey where the worlds of Contemporary Jazz, Hip Hop, and Global Rhythms converge in a seamless tapestry of sound. Inspired by the likes of Karriem Riggins, Herbie Hancock, J Dilla this album pushes the boundaries of traditional jazz while embracing the raw energy of hip hop and the diverse textures of worldwide music.

At its core, "Moon Kin" is a celebration of the synchronicity between musicians and listeners, where every note, beat, and rhythm feels like a shared experience. Each track serves as a testament to the interconnectedness of musical expression, weaving together intricate melodies and infectious grooves that resonate with the soul. From the hypnotic rhythms of the drums to the sultry melodies of the trumpet, the album is a testament to the power of organic instrumentation. Layers of live instrumentation create a rich sonic landscape, where every instrument has its voice and contributes to the overall narrative of the music. "Moon Kin" is more than just an album—it's a testament to the power of music to bring people together and create moments that transcend any musical language or culture. With its innovative blend of Jazz, Hip hop, and World Music influences, this album is sure to leave a lasting impression on listeners everywhere.

With the combination Stricklins personality, the cleverness of Punchline and the word play and work ethic of Wordsworth, and the leadership of the Music Man himself Masta Ace, EMC is ready make some noise in the music industry ... EMC is a movement and Hip Hop should get ready for something really special ... says Stricklin ... he's damn right !

Comprised of two of the most verbose MC's in Hip-Hop today– Aesop Rock and Rob Sonic– Hail Mary Mallon prepares to unleash their second full-length release, Bestiary. Individually, these two lyricists are well known for wordy expressions eliciting oft-despondent themes. Together, however, they appear to push one another to the limits of humorously witty wordplay, while simultaneously crafting complex rhyme patterns. The very title of the album, Bestiary, was inspired by the fact that they both went into beast mode, here.

The group's hunger comes across in more than just the lyrics, though. With both Aesop & Rob sharing production duties, the album is laden with hypnotic beats ranging from dense & murky to melodic & twisting, all complemented by the cutting precision of turntablist DJ Big Wiz.

J Dilla is widely regarded as one of the greatest hip-hop producers of all time, having supplied timeless soundbeds for the likes of A Tribe Called Quest, Slum Village, The Pharcyde, Busta Rhymes, Common, De La Soul, The Roots, D'Angelo, Erykah Babu, Madlib, and many more. In 2005, rumors began circulating about an album called "Jay Love Japan", a J Dilla solo project inspired by one of Jay Dee's favorite locations to visit on tour. After Dilla's untimely death in early 2006, the album became a lost classic shrouded in mystery, with only unofficial bootlegs and promo versions available. An official CD version was eventually released in 2008, but quickly went out of print.

Now, the album is finally receiving the official release it always deserved. J Dilla's mother Ma Dukes and her label Vintage Vibez Music Group are proud to present official Vinyl and CD versions of "Jay Love Japan". With six soulful Dilla instrumentals and vocal appearances from Blu, Miguel, J*Davey, Ta'Raach, Exile, Baatin, and more, this 11-track collection is a perfect snapshot of late-period J Dilla brilliance.

Limited to 2000 copies for Record Store Day 2022 on metallic gold colored vinyl. For the first time on vinyl, released on CD in 2006.

With a name as bold as Junglepussy and an artistry to match, Shayna McHayle is New York's premier rap rule-breaker. Honest, funny, and freaky, her rhymes span from the explicitly audacious to the tenderly relatable. Her unfailingly confident flow accentuates her roots in Brooklyn (her parents are from Trinidad and Jamaica), and her bars land with cool impact. In the universe that is Junglepussy, relationships are complicated, vegetables are magic, and an excellently delivered flex on an ex is one punchline away. Jp4 is Junglepussy's stellar next phase. With contributions from vocalist Ian Isiah, rapper Gangsta Boo, and producers Dave Sitek and Nick Hook, Jp4 is Junglepussy ascended. After almost a decade of experimenting, Junglepussy feels she's finally living up to her name. The numerology of four, in its foundational symbolism, is an apt frame for Jp4. Over an eight year career, Junglepussy's music has led her to lecture at Yale and Columbia, create her own Junglepussy Juice, star in 2018 feature film Support The Girls, and embark on sold-out domestic and international tours. For Junglepussy, Jp4 is a culminating moment_one that holds the essence of closure while hinting at an exciting and expansive future.

Truth, elite lyricism, and production that rivals some of Hip Hop's most critically acclaimed albums are the glue to King Magnetic's sophomore album.

An intoxicating blend of smooth, yet hardcore Hip Hop, is sure to leave the most hardcore fan stunned, purists with their jaws on the floor and 'Hipsters' jealous they didn't catch on sooner. "Everything Happens 4 A Reason" is a refreshing, raw, and truthful peek into the life of an artist balancing life issues and success. There's a noticeable growth in artistry without alienating the loyal base of listeners Magnetic has accumulated over the years. When everything and everyone changes on you, it might be a blessing in disguise. “Everything Happens 4 A Reason”...

The long awaited official release of "Thy Kingdom Come"! "Thy Kingdom Come", originally scheduled for release on June 30, 1998 on Dr. Dre's Aftermath Entertainment, is the fifth studio album from King Tee. Recorded at the same time as the multi-platinum albums Dr. Dre - "2001" and Eminem - "The Slim Shady LP", "Thy Kingdom Come" features guest appearances from Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA legend Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - to name a few. Production on the album was handled by Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) and Dr. Dre's Aftermath producers DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor and Fredwreck, as well as Ant Banks, Step One and SLJ. The album was mixed and supervised by Dr. Dre. Remastered in high-resolution 24-bit 44.1 kHz audio in 2022.

Limited Edition of 1.000 copies on Picture Disc 12" vinyl.

On this record Kota seems to be searching for answers, clarity, and purpose. It was his first project that truly expanded his audience, thanks to the relatability of him grappling with life and love.

Limited Edition of 1.000 copies on colored blue / white 12" vinyl.

Kota the Friend's album "Foto" is a must-listen for fans of introspective and thought-provoking hip-hop. The album is various snapshots of Kota‘s life, an endearing invitation to the mind and mood of the NYC MC. With smooth beats and honest lyrics, the Brooklyn rapper takes listeners on a journey through his personal experiences and struggles, touching on topics such as mental health, relationships, and the challenges of pursuing a career in the music industry. Featuring collaborations with talented artists like Saba, "Foto" showcases Kota's versatility as a rapper and his ability to craft compelling stories through his music. Whether you're a longtime fan or new to Kota's music, "Foto" is an album that should not be missed.

For an hour, "Foto" flows like the gentle whisk of a breeze or the soft lapping of the waves. The project features mellow soundscapes with similar cadences to Australian producer Origami Beats, a carefully-curated selection of jazzy, lo-fi hip-hop replete with fuzzy static and spacious melodies.

Features with Saba, Hello Oshay, Lizzy Ashliegh, Isa Reyes & Richard Parker.

Limited Edition of 1.000 copies on orange / black splattered 10" vinyl.

Following the success of his debut album Foto, Kota the Friend continues the momentum with the release of his latest project, Lyrics to Go, Vol. 1.

While Kota epitomizes what it means to be a true Brooklyn creative, honing his craft as a rapper, producer, photographer, and visual storyteller, Lyrics to Go, Vol. 1 exhibits that his contributions to the hip-hop landscape serve as the pinnacle to his varied creativity.

Carefully composed across a consistent, chillwave soundscape, Lyrics to Go, Vol. 1 calls attention to the dichotomy of life, and how it's perpetual obstacles tend to have a destabilizing impact on our mental health and conceptions of fulfillment. An ode to growth and staying power, "Lazy River" grapples with these themes of hardship until it seamlessly transitions into "She," a track that serves to showcase love as a glimmer of hope within the human psyche. While it is sonically coherent on its own, Kota's aesthetically warm, visual adaptation of "She" reinforces how the simplicities in life can also be the most rewarding.

Kota has made it apparent that the beautifully crafted 10-track project is more than just an audible experience - it's rooted in complex ideas and thoughtful interpretation across multiple mediums.

Limited Edition of 1.000 copies on orange 10" vinyl.

The Brooklyn native and independent rapper and songwriter Kota the Friend has been consistently gaining popularity over the past few years partly due to his uplifting sound and unique voice and flow.

Releasing 14 albums over the past 3 years, there is no slowing down for prolific emcee LMNO of the Visionaries. Reconnecting with Evidence of Dilated Peoples, LMNO's latest masterpiece "After the Fact" brings together his signature original delivery and masterful
wordplay, over the classic Evidence beats that has had heads nodding worldwide since the late '90s. The entire album was produced by Evidence, with guest lyrical features by Oh No, MED, and Rakaa (Dilated Peoples), along with scratches by J Rocc (Beat Junkies), DJ Babu (Beat Junkies Dilated Peoples), LD, and DJ Romes (Lootpack).

Tone Spliff and Melly-Mel met in 2020, the year of the Covid-19 pandemic. Tone had just put out a #FreshStyleChallenge to eMCees on his social media platforms and was impressed with Mel's submission. He decided to collaborate with him on a project, offering Mel the option to cut a joint EP or a full album. Ecstatically, Melly-Mel chose the album route & the pair produced New People; an LP born out of a new friendship, formed in a tumultuous time. Throughout both careers, they’ve worked with heavyweight artists such as: Ruste Juxx, A-f-r-o, Sadat X, Wordsworth, El Da Sensei, Termanology, Skyzoo, Sean Price, Ras Kass, Akrobatik, Thirstin' Howl 3rd, Royce 5'9, Immortal Technique, R.A. The Rugged Man, Inspectah Deck, King Magnetic, Conway The Machine, Planet Asia, Edo G, Saigon, Apathy, Stu Bangas and countless others.

Psychedelic funk, jazz and rock covers of Pete Rock’s Greatest Tracks from MF Doom’s go-to instrumentalist, Includes Pete Rock and CL Smooth classics, “T.R.O.Y.”, “Straighten It Out”, Public Enemy’s “Shut ‘Em Down”, Nas’s “The World Is Yours” and more ...

Despite an excellent debut album, "Naughty By Nature" was pegged as a one-hit wonder by some, after all, they'd never duplicate the inescapably catchy "O.P.P.". But when 19 Naughty III was released on February 23, 1993 with the lead single "Hip Hop Hooray, " the group proved that they could recreate that magic. Celebrating it's 30th Anniversary this year, the album has been certified platinum and "Hip Hop Hooray" has become a hip hop anthem. The single was #1 on the charts, earning the band their second Top 10 hit, with the video directed by Spike Lee, featuring appearances from Tupac Shakur, Run-DMC and more. The album also contains the hits "Written on Ya Kitten" and "It's On" and has guest appearances from Heavy D and Queen Latifah. Production was handled entirely by group member KayGee, who has one foot in the clubs and the other one on the street corner, and that's true of the group as a whole.

Following in the footsteps of his famed brother Madlib, Oh No has become one of the most celebrated independent hip-hop artists of the 21st century. His storied career has included not only rap success but an impressive resume behind the boards, with production credits for Mos Def, Freddie Gibbs, De La Soul, Action Bronson, Talib Kweli, Ab-Soul, and more. An innovator in the art of sampling with a history of exploring diverse source material, Oh No is now back with Good Vibes / Bad Vibes, a new instrumental album deconstructing the work of iconic vibraphonist Roy Ayers. A split collection with two thematically distinct halves, the album is entirely constructed from the early, jazz-centric realm of the Ayers archive. Good Vibes is "light and vibrant, with colorful layers radiating under the sun shine,” Oh No explains, while Bad Vibes contains “dark murky atmospheric tones for the angry moments, those times when it’s necessary to step in the mud.”

Coalmine Records is excited to announce a special release of their acclaimed Pharoahe Monch single, “Get Down,” remixed by none other than BX legend, Buckwild. Everything about the track is an absolute feast for hip-hop heads. Longtime fans of Monch will no doubt remember his previous work with Buck, who produced several cuts on Organized Konfusion’s classic albums, Stress: The Extinction Agenda and The Equinox. And with his work on the remix, Buck reconnects with Monch with the same appeal that epitomized their timeless chemistry. The record will be pressed on translucent purple vinyl with cover art designed by Dewey Saunders (Anderson .Paak, Future), who creates an ethereal collage that borrows elements from James Brown, vintage NYC, and of course Monch and Buck.

Pink Siifu’s latest release,GUMBO!,is another sprawling Afrocentric vision from one of the boldest voices in contemporary rap. Following up on 2020’sNEGRO, the album’s songs are as rich and varied as its titular stew. Siifu’s boundless style makes for an unpredictable but rewarding ride across the album’s 18 tracks, as he explores the diverse sounds of his influences and breaks new ground with a unique class of co-stars. Siifu, born Livingston Matthews and raised between Alabama and Cincinnati, has already notched a conspicuous list of collaborations in his burgeoning career, from legendary producer the Alchemistto Australian electronic group the Avalanches. Siifu also embodies various inspirations through a range of alter-egos, often producing under the moniker “iiye,” or as half of the duo B. Cool-Aid with Ahwlee, both of which appear onGUMBO!. The variety of guest features and production onGUMBO!only elevates Siifu’s ability to push the boundaries of genre and song structure. “Voicemails Uptown” (produced by Soulection’s Monte Booker) is the second of two back-to-back posse cuts, sporting five plus vocalists each. “Lng hair dnt care,” the album’s first single, was produced by Ted Kamal, who first garnered attention for his outside-the-box edits of contemporary rap staples. And while several of the album’s tracks are well within his bag, the jazzy, drumless loop on “Fk U Mean/Hold Me Dwn” could’ve been a cut off of his collab album with Virginia rapper Fly Anakin,FlySiifu’s. Though rife with standout tracks,GUMBO!is greater than the sum of its parts. Siifu’s ambitious range and impressive pool of features create an otherworldly listening experience. Overall, it reflects an intense desire for self-expression and creative growth, one which he shares with many of his influences. Like Outkast, Sun Ra, Baraka, or Bad Brains, his unique soundscapes re-imagine a genre without restrictions, breaking new ground in search of artistic and personal freedom.

This special edition repress of Planet Asia & DJ Concept’s collaborative LP, ‘Seventy Nine’ is released in commemoration of the album’s three year anniversary. Limited to just 300 Units, this repress is manufactured with an alternate NYC-themed cover on classic black vinyl, to contrast with the LA-themed artwork/gold vinyl, akin to the original pressing which has long since sold out. The LP boasts a strong line-up of guest features which include DJ Revolution, TriState, Marvelous Mag, SmooVth, John Robinson, Blu, Agallah, and the late Sean Price. 'Seventy Nine' has been co-signed by DJ Premier, who refers to the merger of Planet Asia and DJ Concept as a 'Win-Win.' The album has been featured through several top tier webzines such as NOISEY, Ambrosia For Heads, VIBE, HipHopDX, XXL, and more."

In commemoration of the three year anniversary of Planet Asia & DJ Concept's collaborative LP, 'Seventy Nine,' Coalmine Records is pleased to release a special edition repress with a NYC-themed alternate cover, pressed on classic black vinyl. Since debuting nearly 20 years ago, Planet Asia has continued to cement himself as one of the best to ever touch the mic. And that’s become especially apparent these past few years as the Fresno, CA rapper has dropped one distinguished project after the next. That trend has continued with ‘Seventy Nine,’ a tightly constructed and ambitious concept album from Planet Asia and Long Island producer, DJ Concept. This special edition repress is limited to just 300
copies

"Gunz From Italy" by Realio Sparkzwell, produced by Tone Spliff, is a raw and gritty hip-hop album that oozes with underground flavor. The album's unique vibe is thanks in part, to the fact that all of its tracks are built around samples from Italian music, giving each song an intriguing old-world feel.

Realio Sparkzwell's rhymes are sharp, intelligent, and infused with a keen street sensibility that keeps listeners engaged from start to finish. He deftly weaves tales of his experiences growing up in Upstate New York, touching on topics like poverty and crime.

The title track "Gunz From Italy" is reminiscent of the classic mid 90's. The hypnotic beat just catches you right off the bat and the cuts are incredible. You would think the song would be glorifying guns but if you pay attention to the lyrics, Realio is talking about the worldwide tragedy and hypocrisy of it all. Overall its a deep song that is quite mesmerizing and has great playback value.

One of the standout tracks on the album is "Dynasties," on which Realio Sparkzwell takes listeners on a journey through the city, backed by a mafioso string melody. He showcases his lyrical dexterity on this track, delivering mordant one-liners alongside intricate rhymes.

Another highlight of "Gunz From Italy" is the track "Mambo," which features the album's only guest verse by Copywrite of mHZ. The two emcees spit verses over a recognizable Italian classic, showcasing their undeniable rhyme chemistry.

Tone Spliff's production on the album is top-notch, with each beat feeling like an homage to the Italian music and culture which they both come. It's clear that he and Realio Sparkzwell share a strong music-making synergy, with each track complementing the other.

This Album is a entitled 'Kulta'. The word Kulta is Finnish for Gold.... The entire album is journey through some of Simiah's secret stash of beats that he cultivated spanning 2010 - 2020. According to Simiah this is golden batch and wanted to release it when the time is right.

This is Simiah's first release with a whole load of features from the likes of Smuv, One Kind Eye, Kirstoffer Eikrem, Mr Slipz, Illiterate and his right hand man Chlaky.

Enjoy the journey and thanks for all the support.

Vinyl limited to 250 copies

Slaine's upcoming studio album "The King Of Everything Else", is scheduled for an August 19th release date through Suburban Noize. The album is set to feature collaborations with heavyweights Tech N9ne, Madchild, Bishop Lamont, Vinnie Paz, Reks and Termanology, and La Coka Nostra brethren ILL BILL. The album artwork for "The King Of Everything Else", was designed by legendary hip-hop artist Skam2, who has worked with everyone from Eminem, A Tribe Called Quest, D-12, Dizzy Wright, and ILL BILL, to rock group's like Linkin Park.

"The songs on this new album are extremely visual and I felt like the album cover needed to be an accompanying piece. I met Skam2 through Ill Bill a while back and had always dug his work," said Slaine. "I had an idea of what I wanted to do with the cover conceptually and thought he would be the perfect artist to execute it. He took the idea and ran with it. I love the results."

Throughout his musical career as a solo artist, or as a member of hip-hop supergroup La Coka Nostra, Slaine has always made his songs with a gritty, lyrical honesty. His latest autobiographical gorilla, "The King of Everything Else", is a cutting and revealing tell-all. If Behind The Music or E! True Hollywood Story dug this deep into an artist's psyche, they'd have to resurrect Kubrick to subdue all the madness. Slaine, meanwhile, navigates the chaos with impressive nihilistic gusto.

In an age of slammin’ superhero crossovers, get ready for a Hip-Hop team-up to beat them all: Slimkid3 & DJ Nu-Mark! With the Delicious Vinyl release of their album-length eponymous collaboration, the legendary Pharcyde MC and Jurassic 5 DJ/producer have created a soulful Hip-Hop soundtrack for the ages. Ever since his time as a founding member of The Pharcyde, Slimkid3 has stood out for his relationship raps, both warm-hearted and coolly observant. As an innovative member Jurassic 5, DJ Nu-Mark has long propelled golden era sounds into the future.

"Ding ding! True school is in session!" trumpeted okayplayer.com when Tre & Nu-Mark released their freebie EP Another Day, Another Dollar in 2011. The duo knew they were onto something good, and re-upped to create new music. The new album's standout tracks include, "King" featuring Diamond D, "I Know, Didn't I" a savvy flip of Dorando's soul classic, and presented here the reggae-fueled summer jam "Bom Bom Fiya”, with "Bouillon", featuring Del and Murs.

Compilation featuring Emilio Rojas, Tragedy, Jukstapose, Blaq Poet, Percee P, King Magnetic, Edo G, Fatlip, Saigon, Sadat X, Ruste Juxx, Baby Blak, Celph Titled, Copywrite, Vast Aire, Realio Sparkzwell & Born Talent.

Compilation featuring Agallah, Jukstapose, Jojo Pellegrino, Chaundon, Sadat X, Craig G, Sean Price, Realio Sparkzwell, Baby Blak, Fresh Daily, Phil Da Agony, Torae, Eternia, Reks, Murdoc, Emilio Lopez, Mac Lethal, Esoteric, Termanology, Punchline, King DOM, David Corey, Blacastan, C Rayz Walz, AG, Big Noyd, El Da Sensei, Emilio Rojas

In October 2021, Tone Spliff supplied emcee Freddie Black with a beat to write and bring to the legendary D.I.T.C Studios in NYC. The end result was the song "Talk That Sh!t". Inspired by this, an idea was born to release a new song by a different artist, every two weeks in 2022. "Work Ethics 2: All Work, No Play" is the 5th producer album from Tone Spliff, and contains all of the said singles released by Tone between Oct 2021-Sept 2022.

Guest appearances by Freddie Black, Benny Slumz, Bodyping, Edo G, RhymestyleTroop, Tha Soloist, Skanks the Rap Martyr, Vic Monroe, The Assembly ZA, Terror Van Poo, Ruste Juxx, A-f-r-o, NapsNDreds, Innocent?, Kool Taj The Gr8, The Bad Seed, King Magnetic, Comet Madmen, Solomon Childs, Bread (of Kaliwild) & Urg7.

Acapella grails that go between classic and never been available before all on 45! Ranging between 92 and 114 bpm these are acapellas you’ve never got on 45! Essential.

For the first time on vinyl. This compilation has been released on CD in 2011 and features tracks from Ghostface, Raekwon, Method Man, U-God and others.